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 PORTFOLIO 

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Middle Aisle Mescal

For Lidl Ireland, we created a PR stunt to end all PR stunts. Amidst the internet obsession with celebrity lookalikes, we used Lidl's cultural reputation of creating dupes/lookalikes to throw a Paul Mescal lookalike competition. In just 6 days, with a limited budget, we made global news, making over 300+million online impressions. 

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Still Listening

For Samaritans Dublin, we were tasked with the problem of falling recruitment numbers for night-time volunteers. These volunteers are crucial to keeping the Samaritans phone lines open 24/7. To be a Samaritans volunteer, the only skill you truly need is the ability to listen. Since the average phone call to Samaritans is 26 minutes long, we identified that a prospective volunteer would only need to be able to listen for at least 26 minutes. Partnering with Head Stuff, we inserted targeted audio ads into some of Head Stuff's most popular podcasts. At the 26 minute mark, we prompted the listener to look at volunteering for Samaritans as they've already exhibited the perfect traits at being a Samaritans volunteer, by being able to listen. To bring the campaign into the 'real world', we also partnered with Seanchoiche - an amazing spoken-word event held around the world. People share their stories, poems, songs, hardships, joys, and everything in-between at Seanchoiche - the perfect setting for us to connect with prospective volunteers, and to get our message out into the world. Seanchoiche nights always have a theme, and for our special event the organisers chose the theme of listening. We heard from volunteers, callers, and other speakers all on the theme of listening - and at the 26minute mark, the event paused and the message of Still Listening was highlighted by the organisers of the event. An amazing campaign, all done as pro-bono work for a wonderful charity. Despite little-to-no spend on client or agency side, the campaign performed so well it's received both Gold and Silver at the Effies 2024, and Bronze at the Kindle Sharks 2024.

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Smyths Toys

This year for the 2024 Smyths Toys Christmas campaign, we filmed a nostalgia-filled Christmas ad for a toy store, with no toys in it! The story surrounds the power of the "S" word (Smyths), and the effect it can have on children worldwide. To go with the TVC I was also tasked with redesigning this year's Smyths Toys Superstore Catalogue. I created a concept all about the imagination of play, and the magic toys bring to children every time they pick up their favourite one. Smyths Toys is one of the leading toy providers in Europe, bringing smiles to millions of children every year - with the catalogue printing 10 million-plus copies every year. Since Smyths are the experts when it comes to toys, I wanted to photograph real toys that Smyths deemed as 'hot items' for Christmas lists this year, I also wanted to feature real children, with real smiles so we could take the catalogue in a new direction for Smyths. I worked closely with the in-house Droga5 Dublin designer Ger Sexton and Creative Director Carina Caye to develop the idea and get it to a point where we were happy to begin briefing next steps. We worked with Kervin Brisseaux, to bring the 'imagination of play' to life with comic-book like illustrations that tell an exciting story, while still maintaining some 'cool'. Miro Minarovych photographed our cover stars, both toy and human, with Lee Hickman retouching all of the assets for final delivery.

In 1999, the Eurovision Song Contest abolished the rule that required participants to sing in their country’s official language. The impact was extensive: of the 23 winners since, only 5 non-English or partially non-English songs have won. We knew that Duolingo would want to do something about this, and inspire people to do their daily lessons in the process. And so, we created Duovision: the ultimate language celebration collaboration. Featured in the D&AD Annual 2022 Graphite Pencil Winner, D&AD New Blood Awards 2022

DuoVision

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Size it, Bag it, Separate it

Airports are stressful enough as it is - the queues, the bags, the "passport-phone-money" pat down checks. For DAA, one thing doesn't have to be so stressful: bringing liquids through security. 'Size It, Bag It, Separate it' took the fuss of sorting your liquids and pastes and simplified it into three simple steps. To live on OOH, radio, social media, and in the airport and deliver a clear and memorable message to travellers. Concept/Ideation: Jess Murphy, Jessie Newman Copywriter: Al Pollock Graphic Designer: Raphael Silva